The latest articles written by the press about the work of director Hamad Youssef Al-Nouri
In the series, Al-Baili says: “His story is real, revolving around a patient with cancer, through a wonderful dramatic plot, depicting work events between Kuwait and the United States of America”.
As for the script writer Hadeel Al-Murjan, she says about her work: “It is a human drama that brings hope to people, away from the sadness and crying that the audience is accustomed to in Gulf dramas.”
The young Kuwaiti director Hamad Al-Nouri expressed his happiness with the success of his television program “The Splendor of Creation” on Channel One of Kuwait TV and the “Valley of Children” program on the children’s channel. In the previous and current sessions, it is a “Trend” on social media, where it is widely praised by the audience who is constantly waiting for the episodes because of the useful and new information they contain in a different way of presentation by A. Musa Al-Khashti.
The program “The Splendor of Creation” directed by Hamad Al-Nouri, presented and prepared by Musa Al-Khashti, General Supervision, Director of Cultural and Religious Programs Department Osama Al-Makhial, and “The Children’s Valley” directed by Hamad Al-Nouri, presented by the children: Al-Juri Al-Banoun, Al-Joud Al-Banoun, Malak Bouzid, Farah Al-Sarraf, Abdulaziz Al-Jimaz, Rayan Dashti, prepared by Mansour Al-Fadhli, the supervision of the general supervisor of the Kuwait Children’s Channel, Sultan Al-Maimoni.
The events of the film revolve around the Nazlat Al-Samman area – Al-Haram in Cairo and also in Kuwait around a Kuwaiti-Egyptian family Last week in Kuwait.
Producer and artist Ammar Al-Moussawi clarified that the movie “Al-Samman” came as a result of a Kuwaiti-Egyptian cooperation that was agreed upon before the January revolution and was executed well, especially that the director who took charge is Muhammad Al-Shoura, whose last film was “Al Haram Street” and achieved great revenues, and the film is considered a comeback. Afaf Shoaib is a new artist to the cinema after a long hiatus after her last movie, “Against the Government”.
Producer Ammar Hashem Al-Moussawi confirmed that the idea of producing a movie came to him since 2008 and after studying it, he decided to go through the experience in 2011 through an Egyptian film, not a Kuwaiti one, called “Al-Samman”, especially since Egyptian films are watched and have an audience everywhere, as they are easy to market.
In his role, the able artist Ahmed Ratib confirmed that “Al-Samman” reflects the real cooperation between Arab artists, especially that every artist in it performs his role in the dialect of his country, which gives realistic events, stressing that he is against any artist embodying a starring role in a dialect other than the dialect of his country, and he said: There are personalities from In the midst of the Egyptian “mud” and from the depth of society, it is not suitable for a non-Egyptian to embody it, such as the Arabs of Sinai, the upper egyptians and others, in order to convince the viewers.
Kuwait is a racing country and an art lover. It is a pioneer in television drama, and through “Al-Samman” we made an imprint in the Egyptian cinema, and I do not deny that we faced some difficulties and this is normal because the film is a huge experience and needs the availability of technical, craftsman or administrative cadres, and this is not something With ease, however, we tried and made an extraordinary effort to make the film appear at the required level, and we filmed with a 35 mm camera, and for the record, I consider “Al Samman” a serious move for cinema in the Gulf, pointing out that in addition to the Egyptian stars present in the film, some technical cadres have a long history in this. The field such as artistic producer Nabil Sobhi, photographer Dr. Muhammad Shafiq and director Muhammad Al-Shoura.
Al-Nouri added: “Al-Samman” is an artistic experience on the right path to create a real cinema industry in Kuwait, regardless of previous amateur work. » It is a strong step in his career as a director
Kuwaiti director Hamad Al-Nouri has started shooting the movie, which deals with the history of “Battle of the Bridges”, one of the most important military confrontations that the Kuwaiti army faced in 1990, based on a rich and rich artistic experience with many diverse television works (drama, variety, and documentaries).
Behind every tale in the love of the homeland are heroisms and epics that we may know little about, even if we contemplate its heroes, but these people look at the matter from a different angle. They are fleeting and homelands remain until God willing, so they may leave our world, and they have more stories and situations in themselves than we know, and here highlights the role of art in documenting the heroism of men who gave every price in the love of Kuwait, took their lives on their hands and confronted the invaders with skin and composure, so they deserved To perpetuate their memory with a work of art is a document passed on by generations.
In the beginning, the artist Abdul Rahman Al-Aql says, “The Battle of the Bridges,” a documentary film that sheds light on an important era in the history of Kuwait, the period of the brutal invasion, specifically the famous Battle of the Bridges, where he embodies the character of the late hero Salem Sorour, commander of the 35th Armored Brigade in that period and the important role he played With his men in response to the invaders
Although the drama was stopped more than 4 months ago, as a result of the precautionary restrictions imposed by the “Corona” pandemic.
The movie “Battle of Bridges”, produced by Kuwait TV, with the support of the Ministries of Information and Defense, received the highest levels of technical quality, as it chronicles an important period in the country’s history, in preparation for its presentation on the 30th anniversary of the brutal Iraqi invasion on August 2, 1990.
Director Hamad Al-Nouri said that the film is being filmed in 3 different locations, which are a military camp, the house and the trench of the battalion leaders’ meeting, and the filming takes between 3 and 4 days, and includes approximately 25 scenes, and its duration is 45 minutes, in preparation for its screening in early August.
Al-Nouri stressed that “had it not been for the support and encouragement that the work received from the TV leaders, it would not have come to light, in light of that period in which the dramatic work stopped, but the officials in the media facilitated the task of filming exceptionally for the film to come out as soon as possible, as they addressed the Ministry of Defense, which provides us with With information, military equipment, photos, documents and other important things, the film will come out in the highest historical accuracy”.
The Ministry of Information is preparing to present the documentary film “Battle of the Bridges” on the thirtieth anniversary of the brutal Iraqi invasion of Kuwaiti lands. The film will be shown on the second of August.
The film, directed by the young Hamad Al-Nouri, chronicles one of the most important military confrontations that the Kuwaiti army faced in 1990 through the 35th Brigade, which was led by the late Major General Salem Saud Al-Surour, who will embody his character in the film, the able artist Abdul Rahman Al-Aql.
The series takes place 200 years ago and includes interesting events, and deals with an important time period in the history of Kuwait, highlighting human relations, customs, traditions and interdependence between families, parents and neighbors in that period, and was filmed in a heritage village specially prepared for him in the “Bar Al-Sabiah” area.
Director Hamad Al-Nouri says: For the first time in the history of Gulf drama, a series is presented that deals with the four most important eras in the history of the region from 4 centuries ago, up to the sixties of the last century, including real characters and stories that influenced the course of history.
He continued, “We used three professional cameras, various lenses, new lighting technologies and the latest audio equipment, according to high quality standards. We listen to beautiful “hashtags” launched by the public, which put us in a challenge, and we consider it a responsibility on our shoulders.
Al-Buraiki has finally finished filming his role in the movie “Battle of the Bridges,” which is scheduled to be shown on Kuwait TV next August 2. In his conversation with Al-Qabas, he touched on the features of that experience and gave his opinion on many technical issues that we discussed during the meeting, and here are the details.
Al-Buraiki finally finished filming his scenes in “Battle of the Bridges”, which takes place in 45 minutes, with a dramatic vision by writer Dakhil Al-Nabhan, directed by Hamad Al-Nouri, starring Abdul Rahman Al-Aql, Intisar Al-Sharrah, Khaled Al-Buraiki and many artists, and about that experience, Khaled says, “The exact description of the work is a program A documentary with some dramatic scenes, and the work deals with the famous Battle of the Bridges, which is one of the immortal battles in Kuwaiti military history. The program includes interviews with some of the leaders and soldiers who had an important role in the battle. Where the high temperature rise, but that did not prevent us from doing our duty and carrying the fidelity of presenting a picture of this great work to the public.
Distinguished director Hamad Al-Nouri’s adoption of a new technique that ensures the viewer’s connection to the work through continuous surprises and the disappearance of the artists and their reappearance in a tight dramatic context that achieves excitement and suspense, including the personality of the artist Mohamed Al-Serafi, who was absent from work in a way that drew the attention of the audience and prompted them to question the secret of his disappearance to appear in his head Again, after several episodes at a different age, he embodies two roles: Father Ruwaished and Ibn Mishaal, and the differences that occur between them, which makes the father feel that history repeats itself and that his son commits the same mistakes in childhood and “as you condemn.”
Will Al-Nouri repeat this technique again, especially with the character of the child Ahmed, who saddened the viewers for his leaving the scene and demanded his return in the last episodes, as they demanded for a second part of the work that opened their appetite for heritage works of no less quality than this level, and will the end open room for a new part .. Perhaps the episodes will carry Remaining more surprises.