They said about: Ila Jay Ahsan – Nazlat Al-Samman
“Al-Saman”… The story of a Kuwaiti-Egyptian family hoping for a great country
The events of the film revolve around the Nazlat Al-Samman area – Al-Haram in Cairo and also in Kuwait around a Kuwaiti-Egyptian family Last week in Kuwait.
Producer and artist Ammar Al-Moussawi clarified that the movie “Al-Samman” came as a result of a Kuwaiti-Egyptian cooperation that was agreed upon before the January revolution and was executed well, especially that the director who took charge is Muhammad Al-Shoura, whose last film was “Al Haram Street” and achieved great revenues, and the film is considered a comeback. Afaf Shoaib is a new artist to the cinema after a long hiatus after her last movie, “Against the Government”.
“Al-Samman” is a Kuwaiti-Egyptian cinematic collaboration in the manner of “Al Farah” and “Cabaret”
Producer Ammar Hashem Al-Moussawi confirmed that the idea of producing a movie came to him since 2008 and after studying it, he decided to go through the experience in 2011 through an Egyptian film, not a Kuwaiti one, called “Al-Samman”, especially since Egyptian films are watched and have an audience everywhere, as they are easy to market.
In his role, the able artist Ahmed Ratib confirmed that “Al-Samman” reflects the real cooperation between Arab artists, especially that every artist in it performs his role in the dialect of his country, which gives realistic events, stressing that he is against any artist embodying a starring role in a dialect other than the dialect of his country, and he said: There are personalities from In the midst of the Egyptian “mud” and from the depth of society, it is not suitable for a non-Egyptian to embody it, such as the Arabs of Sinai, the upper egyptians and others, in order to convince the viewers.
During “Al Samman”, we made an imprint in Egyptian cinema
Kuwait is a racing country and an art lover. It is a pioneer in television drama, and through “Al-Samman” we made an imprint in the Egyptian cinema, and I do not deny that we faced some difficulties and this is normal because the film is a huge experience and needs the availability of technical, craftsman or administrative cadres, and this is not something With ease, however, we tried and made an extraordinary effort to make the film appear at the required level, and we filmed with a 35 mm camera, and for the record, I consider “Al Samman” a serious move for cinema in the Gulf, pointing out that in addition to the Egyptian stars present in the film, some technical cadres have a long history in this. The field such as artistic producer Nabil Sobhi, photographer Dr. Muhammad Shafiq and director Muhammad Al-Shoura.
Al-Nouri added: “Al-Samman” is an artistic experience on the right path to create a real cinema industry in Kuwait, regardless of previous amateur work. » It is a strong step in his career as a director